Kippel and the Bietschhorn Oil on Canvas
Technical information:
Code: QM230
Period: 1920 Circa
Origin: Switzerland
Artist: Humbert Heusser
Technique: oil on canvas
Artwork dimensions: 38 cm × 46 cm (14.96 in × 18.11 in)
Dimensions with frame: 52 cm × 60 cm (20.47 in × 23.62 in)
Description:
Oil on canvas executed with a palette knife by Humbert Heusser, depicting a view of the village of Kippel in the Lötschental. The composition is built through an architectural frame in the foreground, consisting of wooden structures and paved surfaces that define the visual entrance toward the inhabited core.
The dense, overlapping knife strokes define the surfaces of the wooden houses, the shingle roofs and the masonry elements. At the centre, the roofs of the dwellings and the church tower with its pointed spire emerge, arranged on progressive planes that lead toward the valley. On the right, potted red flowers appear, rendered with quick and compact touches, introducing a chromatic variation compared with the range of greys, browns and greens used for the village.
The background is dominated by the Bietschhorn massif, represented with lighter and diagonal knife strokes that suggest the snow-covered areas and the stratification of the mountain. The signature is located in the lower right corner.
Humbert Heusser
Humbert Heusser (active in the first half of the 20th century) was a Swiss painter known for his production of alpine landscapes and views of villages in the canton of Valais. His work focuses especially on the Lötschental, with particular attention to locations such as Kippel and Wiler, as well as the surrounding mountains, including the Bietschhorn and the peaks of the Bernese range.
Humbert Heusser (active in the first half of the 20th century) was a Swiss painter known for his production of alpine landscapes and views of villages in the canton of Valais. His work focuses especially on the Lötschental, with particular attention to locations such as Kippel and Wiler, as well as the surrounding mountains, including the Bietschhorn and the peaks of the Bernese range.
His activity is documented mainly through works in private collections, regional auction catalogues and galleries specialising in early 20th‑century alpine painting. Heusser frequently employed the palette‑knife technique, using dense and layered impastos to depict wooden surfaces, shingle roofs and mountain formations. His palette consists primarily of browns, greys and greens, with brighter accents for vegetation or architectural details.
His visual language belongs to the tradition of Swiss alpine realism, characterised by direct observation and by a spatial construction based on successive planes leading toward the mountain backdrop. Heusser’s works show a preference for everyday village scenes, traditional wooden architecture and the representation of alpine morphology.
